Hermes Olympian God

Hermes in Greek mythology, is the Olympian god of boundaries and of the travelers who cross them, of shepherds and cowherds, of orators and wit, of literature and poets, of athletics, of weights and measures and invention and commerce in general, and of the cunning of thieves and liars. The Homeric hymn to Hermes invokes him as the one

"of many shifts (polutropos), blandly cunning, a robber, a cattle driver, a bringer of dreams, a watcher by night, a thief at the gates, one who was soon to show forth wonderful deeds among the deathless gods."
As a translator, Hermes is a messenger from the gods to humans, sharing this with Iris. An interpreter who bridges the boundaries with strangers is a hermeneus. Hermes gives us our word "hermeneutics" for the art of interpreting hidden meaning. In Greek a lucky find was a hermaion.

Hermes, as an inventor of fire, is a parallel of the Titan, Prometheus. In addition to the syrinx and the lyre, Hermes was believed to have invented many types of racing and the sport of boxing, and therefore was a patron of athletes. Modern mythographers have connected Hermes with the trickster gods of other cultures.

Hermes also served as a psychopomp, or an escort for the dead to help them find their way to the afterlife (the Underworld in the Greek myths). In many Greek myths, Hermes was depicted as the only god besides Hades and Persephone who could enter and leave the Underworld without hindrance.

In the fully-developed Olympian pantheon, Hermes was the son of Zeus and the Pleiade Maia, a daughter of the Titan Atlas. Hermes' symbols were the rooster and the tortoise, and he can be recognized by his purse or pouch, winged sandals, winged cap, and the herald's staff, the kerykeion. Hermes was the god of thieves because he was very cunning and shrewd and was a thief himself from the night he was born, when he slipped away from Maia and ran away to steal his elder brother Apollo's cattle.

Hermes was loyal to his father Zeus. When the nymph Io, one of Zeus' consorts, was trapped by Hera and guarded over by the many-eyed giant Argus Panoptes, Hermes saved her by lulling the giant to sleep with stories and then decapitating him with a crescent-shaped sword.

In the Roman adaptation of the Greek religion (see interpretatio romana), Hermes was identified with the Roman god Mercury, who, though inherited from the Etruscans, developed many similar characteristics, such as being the patron of commerce.


Etymology
The name Hermes has been thought ever since Karl Otfried Müller's demonstration[4] to be derived from the Greek word herma (ἕρμα), which denotes a square or rectangular pillar with the head of Hermes (usually with a beard) adorning the top of the pillar, and ithyphallic male genitals below; however, due to the god's attestation in the Mycenaean pantheon, as Hermes Araoia ("Ram Hermes") in Linear B inscriptions at Pylos and Mycenaean Knossos (Ventris and Chadwick), the connection is more likely to have moved the opposite way, from deity to pillar representations. From the subsequent association of these cairns — which were used in Athens to ward off evil and also as road and boundary markers all over Greece — Hermes acquired patronage over land travel. Hermes was a messenger for Zeus. The reason for this was not only was he the fastest god but he was also loyal to his father, Zeus.


 Epithets of Hermes

Hermes' epithet Argeiphontes, or Argus-slayer, recalls his slaying of the many-eyed giant Argus Panoptes, who was watching over the heifer-nymph Io in the sanctuary of Queen Hera herself in Argos. Putting Argus to sleep, Hermes used a spell to permanently close all of Argus's eyes and then slew the giant. Argus's eyes were then put into the tail of the peacock, symbol of the goddess Hera.


Logios
His epithet of Logios is the representation of the god in the act of speaking, as orator, or as the god of eloquence. Indeed, together with Athena, he was the standard divine representation of eloquence in classical Greece. The Homeric Hymn to Hermes (probably 6th century BC) describes Hermes making a successful speech from the cradle to defend himself from the (true) charge of cattle theft. Somewhat later, Proclus' commentary on Plato's Republic describes Hermes as the god of persuasion. Yet later, Neoplatonists viewed Hermes Logios more mystically as origin of a "Hermaic chain" of light and radiance emanating from the divine intellect (nous). This epithet also produced a sculptural type.

As a crosser of boundaries, Hermes Psychopompos' ("conductor of the soul") was a psychopomp, meaning he brought newly-dead souls to the Underworld and Hades. In the Homeric Hymn to Demeter, Hermes conducted Persephone the Kore (young girl or virgin), safely back to Demeter. He also brought dreams to living mortals.

Among the Hellenes, as the related word herma ("a boundary stone, crossing point") would suggest, Hermes embodied the spirit of crossing-over: He was seen to be manifest in any kind of interchange, transfer, transgressions, transcendence, transition, transit or traversal, all of which involve some form of crossing in some sense. This explains his connection with transitions in one’s fortune -- with the interchanges of goods, words and information involved in trade, interpretion, oration, writing -- with the way in which the wind may transfer objects from one place to another, and with the transition to the afterlife.


Mercury by Hendrick Goltzius, 1611 (Frans Halsmuseum, Haarlem)Originally, Hermes was depicted as an older, bearded, phallic god, but in the 6th century BCE, the traditional Hermes was reimagined as an athletic youth (illustration, top right). Statues of the new type of Hermes stood at stadiums and gymnasiums throughout Greece.


Herma.
In very ancient Greece, Hermes was a phallic god of boundaries. His name, in the form herma, was applied to a wayside marker pile of stones; each traveller added a stone to the pile. In the 6th century BCE, Hipparchos, the son of Pisistratus, replaced the cairns that marked the midway point between each village deme at the central agora of Athens with a square or rectangular pillar of stone or bronze topped by a bust of Hermes with a beard. An erect phallus rose from the base. In the more primitive Mount Kyllini or Cyllenian herms, the standing stone or wooden pillar was simply a carved phallus. In Athens, herms were placed outside houses for good luck. "That a monument of this kind could be transformed into an Olympian god is astounding," Walter Burkert remarked (Burkert 1985).

In 415 BCE, when the Athenian fleet was about to set sail for Syracuse during the Peloponnesian War, all of the Athenian hermai were vandalized. The Athenians at the time believed it was the work of saboteurs, either from Syracuse or from the anti-war faction within Athens itself. Socrates' pupil Alcibiades was suspected to have been involved, and Socrates indirectly paid for the impiety with his life.

From these origins, hermai moved into the repertory of Classical architecture.


Hermes' iconography
Hermes was usually portrayed wearing a broad-brimmed traveler's hat or a winged cap (petasus), wearing winged sandals (talaria), and carrying his Near Eastern herald's staff -- either a caduceus entwined by copulating serpents, or a kerykeion topped with a symbol similar to the astrological symbol of Taurus the bull. Hermes wore the garments of a traveler, worker, or shepherd. He was represented by purses or bags, roosters (illustration, left), and tortoises. When depicted as Hermes Logios, he was the divine symbol of eloquence, generally shown speaking with one arm raised for emphasis.


 Birth
Hermes was born on Mount Cyllene in Arcadia to Maia. As the story is told in the Homeric Hymn, the Hymn to Hermes, Maia was a nymph, but Greeks generally applied the name to a midwife or a wise and gentle old woman; so the nymph appears to have been an ancient one, or more probably a goddess. At any rate, she was one of the Pleiades, daughters of Atlas, taking refuge in a cave of Mount Cyllene in Arcadia.

The infant Hermes was precocious. His first day he invented the lyre. By nightfall, he had rustled the immortal cattle of Apollo. For the first sacrifice, the taboos surrounding the sacred kine of Apollo had to be transgressed, and the trickster god of boundaries was the one to do it.

Hermes drove the cattle back to Greece and hid them, and covered their tracks. When Apollo accused Hermes, Maia said that it could not be him because he was with her the whole night. However, Zeus entered the argument and said that Hermes did steal the cattle and they should be returned. While arguing with Apollo, Hermes began to play his lyre. The instrument enchanted Apollo and he agreed to let Hermes keep the cattle in exchange for the lyre.


Hermes' offspring

 Pan
The satyr-like Greek god of nature, shepherds and flocks, Pan was often said to be the son of Hermes through the nymph Dryope. In the Homeric Hymn to Pan, Pan's mother ran away from the newborn god in fright over his goatlike appearance.

Hermaphroditus
Hermaphroditus was an immortal son of Hermes through Aphrodite. He was changed into a hermaphrodite when the gods literally granted the nymph Salmacis's wish that they never separate.

Priapus
The god Priapus was a son of Hermes and Aphrodite. In Priapus, Hermes' phallic origins survived. According to other sources, Priapus was a son of Dionysus and Aphrodite

 Eros
According to some sources, the mischievous winged god of love Eros, son of Aphrodite, was sired by Hermes, though the gods Ares and Hephaestus were also among those said to be the sire, whereas in the Theogeny, Hesiod claims that Eros was born of nothing before the Gods. Eros' Roman name was Cupid.

 Tyche
The goddess of luck, Tyche (Greek Τύχη), or Fortuna, was sometimes said to be the daughter of Hermes and Aphrodite.

 Abderus
Abderus was a son of Hermes who was devoured by the Mares of Diomedes. He had gone to the Mares with his friend Heracles.

Autolycus
Autolycus, the Prince of Thieves, was a son of Hermes and grandfather of Odysseus.